'Director Melly Still has created a wonderful sense of place, helped by the soulful music composed by Harry Blake' The Times

'The musical elements, when they come, leave you wishing for more... This [production] is not far from being Captain Corelli's Mandolin: The Musical' The Guardian

'sublime...Harry Blake's ambient techno score explodes around us' Time Out

'Harry Blake's exquisite electro soundtrack' The Scotsman

'Harry Blake’s reduced orchestration creates its own musical world, [it] allows real word-by-word communication: in opera, that is rare indeed.’ Evening Standard